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Scenography

Current interests of the group include:

  • Scenography and technology
  • The performing object
  • The performance of light
  • Computer modelling and the scenographic proces
  • The aesthetic dimension of contemporary drama
  • Languages of discourse for sound in performance
  • The limits of representation
  • Scenography and spectatorship
  • Scenography and identity
  • Live art
  • Architecture and performance
  • Site-specific practice
  • Documenting the processes of scenography
  • Devising from a scenographic perspective
  • Archiving scenography
  • Histories of scenography

 

Group members can use the private TaPRA members’ section to contribute to this group, ensure that you sign up for the Scenography Working Group.

Recent News

Scenography Working Group : Scenography and Borders: Practice, Place and Politics

The Scenography Working Group invites proposals for our forthcoming meeting at the annual TaPRA conference in Bristol in September 2016. This year’s meeting will focus on questions around the importance of place and national identity in scenography, current international politics around borders and migration, and the question of disciplinary borders in relation to scenography. At…

TaPRA Scenography Working Group : After Affect: The Scenographic Construction of Affective Environments

Call for Papers, TaPRA Annual Conference 2015 TaPRA Scenography Working Group After Affect: The Scenographic Construction of Affective Environments  “Affect arises in the midst of in-between-ness: in the capacities to act and be acted upon. Affect is an impingement or extrusion of a momentary or sometimes more sustained state of relations as well as the…

Scenographic Things / Scenography Objects

The Trinity Long Room Hub 23 April 2015 Scenographic Things / Scenography Objects will be the first TaPRA (Theatre and Performance Research Association) event to be held outside the UK. It focuses on the interactions and disruptive possibilities of performing bodies and material objects in space. Bringing together a range of scholars and arts practitioners…
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