Deadline: Monday 10 March 2025
27-29 August 2025, University of Warwick
Theme: Fun, Playfulness & Pleasure
This year the Audience, Experience, and Popular Practices WG are inviting 15-minute responses of any kind to the theme of fun, playfulness, and pleasure.
We are eager for this exploration to be as broad as possible. You might want to talk about any aspect of theatre-making or spectatorship, about live performance experiences of any kind, about the performance of identity in everyday life, about love or desire or sex or sexuality, or about forms like games, film, television, or mass and social media. In doing so, you might choose to address a number of related questions…
Whether we’re talking about performance-makers or audiences, researchers or practitioners, historians or scholars of contemporary performance: what does it mean to experience sensations of enjoyment, gratification, delight, and joy? In the rehearsal room, in teaching spaces, online, onstage, or as part of an audience: how do we experience fun? How do we know when we’re feeling playfulness? How can different performance modes invite us to feel pleasure? When are these sensations experienced as positive and/or cathartic affects, and when is it more complicated than that? Who is given space to experience these feelings and who is not? At what point does one person’s pleasure become another person’s pain? Whose joy gets overlooked, othered, or seen as dangerous and in need of stamping out? When might these seemingly good feels need to be either resisted or embraced, and when can pleasure and displeasure sit in dialogue with one another as part of the same experience?
For example: your approach to this topic could be around issues of method: perhaps by raising urgent considerations about the ethics or epistemologies of a particular methodological approach. Alternatively, it could be about the feelings provoked by a piece of performance itself: whether that’s contemporary artistic work, or a historical event, or a popular form of practice. It could interrogate issues around intimacy or affect, asking for instance whether pleasurable sensations create particular audience/performer relationships? It could also raise questions about what it means to work both as artists and as academics within our contemporary landscape of precarity and uncertainty. We are also very interested in exploring relations of power, such as whose desires get to be prioritised and whose pleasures are often unacknowledged or even suppressed.
Preferences for types of proposal:
We invite 15-minute responses and encourage diverse modes of sharing research, including, but not limited to, provocations, practice demonstrations, performative presentations, formal papers, etc. Please indicate your preference of format clearly in your proposal, with a specific breakdown of any technical requirements. We will endeavour to accommodate all requests, but please be aware that we are working within finite resources and we may need to suggest alternative formats.
We understand ‘performance’ and ‘practice’ in their broadest possible terms. In Warwick, what we want to encourage is a holistic analysis of what it means to experience practices – of making performance, of being an audience, of doing research, and of living in the world. We are eager to welcome work in progress at any stage: whether you want to talk through ideas for a brand new project, or to discuss preliminary findings, or to deliver a fully-developed presentation. More than anything else, we are working to carve out a space for supportive, generative, and helpful conversations. In light of the challenges of the past few years especially, our goal is to foster a home for safe sharing.
Submit your abstract here by 10 March 2025
Please note: only one proposal may be submitted for a TaPRA event. It is not permitted to submit multiple proposals or submit the same proposal to several Calls for Participation. All presenters must be TaPRA members, i.e. registered for the event; this includes presentations given by Skype or other media broadcast even where the presenter may not physically attend the event venue.