Naomi Paxton

for work on Suffrage Theatre and the Actresses’ Franchise League.

TaPRA is delighted to award its 2019 Early Career Researcher Prize to Dr Naomi Paxton, whose work represents a fresh, detailed account of an important period of British theatre. Her rigorously researched monograph, Stage Rights! (Manchester University Press, 2018), traces the significance of the Actresses’ Franchise League from their founding in 1908, through the outbreak of WWI and into the mid twentieth-century. By interrogating its activities in terms of a blurring between ‘acting’ and ‘being’, the panel noted that Dr Paxton offers an unexpected extension of existing analyses of the AFL’s work and prompts new readings of the function of theatre in/as society. Additionally, in advancing understandings of theatrical, political, and social activism in the women’s suffrage movement, Dr Paxton’s impactful methods of public engagement (in the form of games, guided walks, exhibition and performances) have made her research accessible to audiences beyond the academy in innovative ways.

Margherita Laera

for work on ‘Translation, Adaptation, Otherness: “Foreignization” in Theatre Practice’ (www.translatingtheatre.com).

Launched right at the point when the UK’s Brexit referendum was reaching its explosive conclusion, the judges felt that the ‘Translation, Adaptation, Otherness’ project represents an important – and deeply timely – investigation of how theatre in translation can be used to address contemporary tensions between varying cultures and languages by disrupting audiences’ expectations. Identifying and addressing a unique problem in a highly innovative way, the project constitutes a significant expansion of our current knowledge of theatre in translation and adaptation, with major implications for both performance scholarship and practice.

Kirsty Sedgman

for development of work on audience research including Locating the Audience (Intellect, 2016).

The judges felt that few studies in this field are as successful as this in demonstrating the complexity of research that is able to deliver a real understanding of audience experience while maintaining a sharp critical focus. The work is already having an impact and at a time when the ‘audience experience’ is so often relegated to consumer response and metrics data, Sedgman’s work is a welcome turn to the live and lived experience of and for the people who buy the tickets.

Matt Hargrave

Theatres of Learning Disability: Good, Bad, or Plain Ugly? (Palgrave)

The judges felt that from inside, from outside, this project shows change towards place in action and declares its ambition for further work. It is the work of considered scholarship and practice: far reaching, versatile, inclusive and impactful both for the communities with which it worked and for the academic sector which TaPRA represents.

Adrian Curtin

for his book Avant Garde Theatre Sound: Staging Sonic Modernity (Palgrave)

Dominic Johnson

for his extensive work on Live Art.

Laura Cull

for her work in establishing Performance Philosophy through a range of publications and projects.

Jenny Hughes

Performance in a Time of Terror: Critical Mimesis and the Age of Uncertainty (Manchester University Press)

Alison Jeffers

Refugees, Theatre and Crisis: Performing Global Identities (Palgrave)