Deadline: April 10, 2024
Resistance/refusal in the afterlives of performance
This year, we continue our focus on methods (both contemporary and historical) and the epistemic politics in and of performance. To that end we are turning our focus to the afterlives of performance, and specifically, the politics and ethics of creating and maintaining those afterlives, with an emphasis on queer and anti-colonial approaches that resist or refuse closed/ untroubled legacies.
How does a politicised framing of...