There has been a notable increase in scholarly activity concerning the sonic/aural dimensions of theatre in the last decade. This is part of the so-called ‘acoustic turn’ in the humanities and social sciences, as well as interdisciplinary ‘sound studies’, which examines how sound in cultural texts and everyday life shapes understanding and perception, and vice versa. Relatedly, the emerging field of interdisciplinary voice studies theorises ‘voice as a phenomenon of communication and performance, and a methodology or metaphor for analysis’ (as stated on the website for the Journal of Interdisciplinary Voice Studies). Research into the role of music in theatre, and into specific performance genres, such as musical theatre and ‘music theatre’, is also thriving.
This working group will encompass research into all three areas of scholarly activity, investigating intellectual crossovers and shared concerns. We aim to:
The working group is currently seeking new convenors for a three-year term from 2024–25. Please email soundvoicemusic@tapra.org for more information or to register your interest.