Deadline: April 1, 2022
Building on the working group’s most recent conference explorations (research and communication methods in 2020 and 2021; listening across in 2019), and responding to the global context of the past two years, we invite colleagues to wonder with us about digital and technologically mediated approaches to sounding, voicing, music-making and listening.
In particular, we are interested in the models and experiences of subjectivities and intersubjectivities made possible by online and digital...